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c. 1445 – May 17, 1510. Italian painter.

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Jean Auguste Dominique Ingres
The Turkish Bath (mk09)

ID: 21318

Jean Auguste Dominique Ingres The Turkish Bath (mk09)
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Jean Auguste Dominique Ingres The Turkish Bath (mk09)


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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Portrait of the Sculptor Paul Lemoyne (mk04) | Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk09) | Baronne de Rothschild | Portrait of Napoleon on the Imperial Throne | Franqois Gerard Daphnis and Chloe (mk04) |
Related Artists:
Thomas Hearne
British Painter, 1744-1817 English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'.
Frank Dillon
painted The Colossal Pair, Thebes in 1856
John Cleveley
circa 1712-77 English painter, born in Southwark, London. Cleveley did not come from an artistic background






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